Sidelines September 2026

This Issue! Jess Mendoza & Nick Dello Joio—Two Personalities, One Passion; Nadine Schwartsman—Developing Dressage in Idaho; Cate Chant & Mike Richards—From Runway & Rink to True North; And Much More!

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SIDELINESMAGAZINE | September 2026

here is a quiet kind of honesty in

Bethany Goforth’s work, one that

doesn’t demand attention but instead

holds it. A glance becomes curiosity about

the horse’s story. That subtle shift in an ear,

a barely-there tension in the eye—these are

the details that transform her portraits from

likeness into connection.

Bethany’s life has always been intertwined

with horses, not just as an artist but as an

owner, exhibitor and lifelong horsewoman.

That duality of living with horses and studying

them through art has shaped a perspective that

goes beyond anatomy or aesthetics.

For Bethany, every horse carries a distinct

personality, one that must be understood before

it can ever be drawn. “The spark in the fresh

horse’s eye or the kind, soft eye in a gentle soul—

knowing the horse I’m working with is so key,”

BETHANY

GOFORTH

Where Emotion

Meets Accuracy

By Shya Beth

she shared. It’s this knowing that becomes the

foundation of her work: not observation alone,

but familiarity; not reference, but relationship.

There is a deeper layer in Bethany’s work

she is always reaching for—the emotional

truth that exists between horse and human.

Those fleeting, intimate moments that often go

unnoticed in real time become the heart of her

compositions.

“To have horses and not feel an emotional

connection with them is something I simply

cannot comprehend,” she said. Her work reflects

that belief. This is especially evident in her

memorial pieces, where the weight of memory

becomes part of the process. Bethany embraces

that heaviness and responsibility. She asks

questions, studies photographs and learns quirks

and nuances, all in pursuit of capturing not just

how the horses looked but who they were.

PATIENCE AND PRECISION

When that emotional depth meets accurate

anatomy and detail, something shifts. The

artwork begins to resonate beyond the canvas.

It becomes personal, even for those who have

never met the horse.

Working primarily in colored pencil, graphite

and charcoal, Bethany has chosen mediums

that reward patience and precision. “These

mediums give me the ability to focus on details,”

she said. “I love working on the nerdy little

details and can get lost in stitching a harness,

creating silver scrollwork or braiding a mane.

Plus, the little wisps of an untidy mane, whiskers

of an unshaven muzzle, or eyelashes with a glint

of sunlight lend themselves perfectly to these

mediums. I also love the layering of colored

pencils to achieve the richness and differences

“Preston & Buddy”